1/14/2024 0 Comments Shifty shellshock 2022![]() The group’s two founders were both guys who’d grown up around the industry. As the ’80s went on, more and more rock bands made clumsily spirited attempts at something resembling rap: Anthrax on “I’m The Man,” Faith No More on “We Care A Lot,” the Red Hot Chili Peppers on a whole lot of bullshit.Īround the turn of the millennium, those rap-rock bands were big enough that various music-business hangers-on started forming their own bands. (The rappers got booed offstage.) The Beastie Boys were a punk band that improbably became the biggest rap group in the world. Kurtis Blow had a Bachman-Turner Overdrive cover on his first album, and the Clash imitated Grandmaster Flash’s Furious Five on “The Magnificent Seven” and then booked the actual Furious Five to open for them in New York. The two genres didn’t exist in isolation they’d been in conversation ever since rap first arrived in popular consciouness. They had been usurped rappers were the new cultural leaders. By the late ’80s, plenty of rock bands had noticed that they were no longer the coolest or most revolutionary musicians on the scene. Rap-rock seemed to dominate the universe for three or four years, but as far as the Hot 100 is concerned, “Butterfly” is the only hit of its kind. During that same era, the Creed-style post-grunge yarlers did a lot better on the pop charts. The biggest bands from that genre sold millions of records and packed arenas for years, but none of them - not Korn, not Limp Bizkit, not Kid Rock, not Papa Roach, not even Linkin Park - ever made it to #1. “Butterfly” is the only song that ever came out of the late-’90s rap-rock wave and topped the Hot 100. But “Butterfly” also represents a kind of culmination. ![]() Maybe it’s better if you just imagine that someone hit the special-move button.Ĭrazy Town are true one-hit wonders “Butterfly” is the band’s only song that ever appeared on the Billboard Hot 100 in any capacity. But that moment doesn’t have to mean anything. I’m not sure what that moment is supposed to mean in the “Butterfly” video, especially given that “Butterfly” is essentially the dumbest love song that’s ever made it to #1. He raises his arms up into the Jesus Christ pose, and the two star tattoos on his muscled-up shoulders shoot off into the sky, becoming some kind of heavenly projection. He should be throwing jumpkicks in a C-level fighting game.Ī little more than a minute into the video for “Butterfly,” Crazy Town’s one and only hit, Shifty Shellshock even hits a video game move. This guy simply shouldn’t exist on the physical plane. He’s got it all: The juiced-up musculature, the constant shirtlessness, the carefully sculpted facial hair, the hazardously gelled-up spiky frosted tips, the big honking chin, the wide array of facial piercings. Shifty, one of the two rappers in the Los Angeles band Crazy Town, looks exactly like a game designer’s idea of a circa-2001 cool guy. Nobody in human history has ever looked more like a video game character than Shifty Shellshock in the “Butterfly” video. In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.
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